From kendrick@io.com Tue Oct 10 12:49:48 CDT 1995 Article: 24259 of alt.toys.transformers Path: news.io.com!io.com!not-for-mail From: kendrick@io.com (Kendrick Kerwin Chua) Newsgroups: alt.toys.transformers Subject: TF Weekday 10/10 - Auto-Bop Date: 10 Oct 1995 12:47:21 -0500 Organization: Illuminati Online Lines: 93 Message-ID: <45ebj9$c5@bermuda.io.com> NNTP-Posting-Host: bermuda.io.com Status: RO X-Status: TF Weekday Oct 10 1995 - Auto-Bop The EI/AD: It's ultra-sound hypnotic suggestion, the wonderful evil invention as wielded by Soundwave, your friendly neighborhood emergency broadcast system... The plot: Raoul from 'Make Tracks' and the Bop-crew (Potblack and Rocksteady) are ejected from the property of a hot new club called "Dance-a-tron" after they try to perform their breakdancing act outside. They run into Tracks and Blaster on surveillance of Decepticon activity, who rescue them from the street punks threatening their lives. Tracks and Blaster go into the club and notice a TON of incongruities, like construction workers dancing with housewives and the like. After a subway conductor goes bananas and Tracks is captured, Blaster figures out that the club is a front for somebody hypnotizing humans and forcing them to work on the construction of a mysterious building. Blaster hurries out there, but not in time to stop Potblack and Rocksteady from being hypnotized. Raoul figures out that water breaks the hypnotic spell, and rescues the rest of his crew so they can release Tracks. While the four of them chase down suave club-owner Starscream, Blaster takes down Soundwave in a classic fight scene. Tracks seeds the clouds, raining out all of the Decepticons' hypno-slaves and then proceeds to beat Starscream in a really cool aerial stunt show. Tracks and Blaster knock over the building, and they all live happily ever after... Except for Blaster, who has to play music for the Bop Crew until they earn enough money to buy a new radio. The characters: More of the street-smart Tracks, who shows off not only his protective side but his dauntless heroism. I wish that they'd make his vanity just a little more caricatured, but it's also nice to see that there's a honest-to-Primus Autobot Warrior under the polish. Blaster is hedonistic and fast-talking, and makes a wonderful foil for the antiseptic and terse Soundwave. You wonder why they didn't make more of a big deal out of their supposed rivalry until the Japanese series (where they were blown away and rebuilt as Twincast and Soundblaster, respectively) And Raoul comes off again not as your know-it-all squishie who saves the day, but a smart street punk with that survival edge that saves him. Not much more than cameos out of Megatron and Starscream, and the Bop-crew is your standard sidekick fare. Side note: listen closely to Potblack's voice... It's Rumble's voice unprocessed and not quite so exagerated. This same voice is used a lot by Frank Welker for your standard street punk. Bo from 'Garfield and Friends' has this same voice, as does the movie-lot ghost from 'Ghostbusters' The plot holes: Why not kill Tracks the instant he's captured, rather than by stringing him to the sound system? Either Starscream was being sadistic and torturous (which is believable) or the writers wanted him rescuable (which is just as believable). Also, why hypnotize humans to do your work for you, when it's so much more energy efficient to simply blow away a few blocks in Chelsea and Manhattan and build yourself? It seems that the Decepticons may not be doing as well as a lot of people think if they have to resort to an appearance of legality in order to get their evil schemes accomplished. Also, they never quite explain why the subway conductor goes nuts, although we are to assume that he was under Soundwave's control for the purpose of eliminating the Bop-Crew. Leave it to Decepticons to think that entertainment industry competition is worth killing over. :) Moving pictures: Cool animation, with lots of anime-girl cheesecake, and that's all I'll say about that. :) Funky club outfits and stock breakdancing moves really mark this episode as the most dated of the TF shows. Except for Auto-Bop, the TF story could happen as easily in the 70s or in the 90s. Tracks shows off lots of neat gear in his car mode for street survival, including an under-the-hood grappling hook and laser guns hidden in his headlights. His winged transformation is also drawn exactly like the toy's transform; in 'Make Tracks', he simply sprouted wings. Here, he has intake vents and tail fins just like the toy. And kudos to the effects animators for bringing us sparking train tracks, cool sonics weapons on Blaster and Soundwave and a crumbling building. The cuts: A little dialogue at the beginning, but not a lot was noticably cut... Although I do remember the fight scene between Blaster and Soundwave being much longer than it was. Toys they should reissue: Tracks in a G2 format. The guy definitely deserves a snazzy black paint job and BIG wings. Blaster would be nice to have too. Maybe they should release the Twincast and Soundblaster molds in America with the original names and G2 symbols on them. For those of you who didn't already know, Twincast is Blaster in blue and dark grey, and Soundblaster is Soundwave in black and chrome. Muy cool. Quotables: "Let's do a Michael Jackson, man!" "What?" "Let's beat it!" "Unusual hiring practices these clubs have..." KKC, I'm afraid your rule Brittania mania doesn't ring so true... -- kendrick@io.com - Kendrick Kerwin Chua - WTB: 80s Transformers and GIJoe toys "What would you have me do with Washington,Destro? Pepper it with spitballs?" Necronomcon FAQ home page at http://www.io.com/~kendrick/necronomicon or anon FTP at io.com:/pub/usr/kendrick -Personal home at http://www.io.com/~kendrick